The Lavery is one of the centre‑pieces of the District this year. Formerly Cromwell Place, this Georgian townhouse event space is hosting multiple exhibitions and events across the festival.
Some key features:
* Studio Charlotte Taylor: Soft Worlds, Sharp Edges — running 17‑19 September. The show explores the bedroom as a psychological and theatrical space: movable platforms, mirrored surfaces, a mix of furniture, lighting, sculpture. It’s one of the more immersive parts of the programme.
* Convergence by the David Collins Foundation. An exhibition that brings together past awardees and explores memory, objecthood, legacy. Expect film, poetry, sculpture, and biodesign.
* Guest exhibition by Georgian designers Nata Janberidze and Keti Toloraia: collectible furniture & objects made from stone, wood, metal, merging Georgian / Soviet motifs with Western European influences.
Lavery is interesting because it provides quieter, contemplative space. The works there are less about display for retailers, more about design as art, process, story. Great if you want to slow down and think about what design means, beyond form and brand.
Why This Year Feels Different & What Not to Miss
* Thematic coherence: “A Softer World” isn’t just a label. It shows up across the works — in materials, in themes of sustainability, in inviting atmosphere rather than aggressive marketing.
* Mix of scale: From large showrooms with internationally known names to emerging talent and smaller exhibits. It offers both spectacle and intimacy.
* Experiential over just viewing: workshops, live performance (for example, at Brompton Cemetery Chapel), talks, and food events connected with shows. These help turn what might feel like a design fair into a series of lived moments.
* Late Night Thursday: Many of the showrooms and galleries across Brompton Design District will stay open late on Thursday 18 September, making it a perfect evening to explore installations, attend talks, and enjoy the district in a livelier atmosphere.